Joseph's melodious voice reflects a variety of emotions as well as a wide range of musical talent. Lawrence Anderson also gives a wonderful performance as Raoul-strong, yet not too over-powering.īut the true strength of the performance is drawn from its two central characters of Christine (Sandra Joseph) and the Phantom (Rick Hilsabeck), and rightfully so. Her simple presence as well as her voice breathes ominous foreboding, yet perfect control. Olga Talyn's version of Madame Giry is another marvel to behold. Hating the two of them is still enjoyable, but not exactly a pleasure. Her companion, Piangi (Stefano Fucile), possesses both a self-esteem and a voice pompous enough to match hers. However, in this particular production, she seems more pitiful and needy than she does vicious and greedy. Carlotta, played by Kelly Ellenwood, makes and excellent egotistical prima donna. Meyers and Ian Jon Bourg draw many smiles and even occasional laughter from the audience as the perplexed and frustrated theater owners, Firmin and Andre, respectively.
Fortunately, since every member of the cast sparkles with talent, this sets the stage for a performance that could easily be enjoyed with one's eyes closed the entire time.Įven the minor characters are easy to appreciate. It boasts neither the heart-wrenching moments of "Les Miserables," nor the mind-blowing special effects demonstrated in "Tommy." Rather, it relies solely on the strength of its music, and on the voices of its actors. From the magnificently ornate costumes to the familiar and crystal-clear melodies rising from the orchestra pit, the now world-famous production is still a breathtaking waltz into the heart of the most romantic lunatic that ever lived.Īlthough some may find the fact a bit disappointing, "Phantom" refuses to become a melodramatic, action-packed dance routine.
Set in the glorious splendor that is the Wang Center, the latest production of "The Phantom of the Opera" to hit Boston lives up to-and beyond-the legend it has created for itself. The answers, to all of the above questions, are as follows: Yes. You stop and wonder to yourself, "Is it really worth all this hype? Can any musical in existence live up to the expectations people have created for it? Most of all, is it really worth going through the hellish hassle called TicketMaster to get tickets to "The Phantom of the Opera?" It's been here before, and after much ado and praise, it's here again. You've probably even heard random people in the Square talking about it. Music by Andrew Lloyd Webber directed by Harold Prince at the Wang Center through September 15
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